Reviews

Cosi Fan Tutte (Fiordiligi)

'electrifying... one of the most engaging things I’ve seen in several decades of Fringe going” “a most entertaining performance whether you are an expert or an opera novice' - Elizabeth Latham

Orpheus in the Underworld (Mercury)

'The vocal performances are equally as stunning and special mention should be given to...Laura Curry.' Cassandra Griffin, London Theatre

LA BOHEME (Musetta)

‘How we were appalled by your tantrums in the café but also absolutely captured and enchanted by your exuberant joie de vivre and sensuality. No wonder Marcello could not help himself when there was the opportunity to be reunited! You brought a beautiful, well-controlled voice to the part and you used it to portray both the fiery Latin passion and the gentle, tender sympathy which are both present in this character.’ - NODA, Bristol

Peter Grimes (2nd Niece)

‘...the two Nieces from Regan Gardner and Laura Curry risked comparison with characters from television’s Little Britain, but all three sang well.’ - Opera Now

A MIDSUMMER NIGHT’S DREAM (Tytania)

‘Oberon and Tytania are the king and queen of fairy land, regally portrayed by Matthew Paine and Laura Curry.’ - Bristol Review

The Wolves Descend (Phoebe)

‘Curry’s vocal is crystal clear and – more importantly – emotive…’ - Broadway Baby

‘Soprano Laura Curry was particularly accomplished as Phoebe, her powerful voice drifting in and out of beautiful discord with Pearson’s hammer-horror composition – certainly one to watch when she finishes her Music Diploma. And no matter how much patrons pay to sit in red velvet seats, you can’t buy a voice like her’s.’ - London Theatre

‘The role of seemingly innocent tourist Phoebe is played by Laura Curry, whose huge and compelling voice totally fills the room.’ - London Theatre

THE PIRATES OF PENZANCE (Mabel)

‘Other commendable castings were... Laura Curry, who brought her wit and mischief to the role of Mabel.’ - Bristol Review

CARMEN (Frasquita)

‘Having said that, many of the individual performances were truly excellent. Some of the smaller roles too were very well played: ...Laura Curry’s Francesca spring to mind as particular examples.’ - Bristol Review

‘…highlights included a scene featuring Mercedes (Rosanna Purdie) and Francesca (Laura Curry) dancing with Carmen for the men, which was very intimate and encapsulated a feeling of anticipation…’ - Bristol Review